SACRED ART
These are the two most valuable and significant artifacts in all of human history:
The Cross of Christ is the cross on which Jesus was crucified, and the Shroud of Turin is the cloth in which Jesus was wrapped during His resurrection.
Pieces of these artifacts are incorporated into the artworks.
They are enclosed in a protective metal layer.
The Cross of Christ is the cross on which Jesus was crucified, and the Shroud of Turin is the cloth in which Jesus was wrapped during His resurrection.
Pieces of these artifacts are incorporated into the artworks.
They are enclosed in a protective metal layer.
Learn more about JESUS.PHOTO and the two most important relics of humanity.
FOLLOW THE WAY OF LOVE
We live in a world where violence, hatred, war, oppression, and discrimination are part of everyday life. At the same time, we all long for peace, joy, and inner fulfillment.
It is the power of love that can transform everything.
"Dear friends, let us love one another, because love comes from God. Everyone who loves has become a child of God and knows God.
Anyone who does not love does not know God, because GOD IS LOVE.
Here is how God showed his love among us. He sent his one and only Son into the world. He sent him so we could receive life through him." (1 John 4:7-9)
Jesus died on the cross for the forgiveness of sins and overcame death.
When JESUS rose from the dead, this mighty light of life radiated from His body and created this wonderful image on His burial shroud:
It is the power of love that can transform everything.
"Dear friends, let us love one another, because love comes from God. Everyone who loves has become a child of God and knows God.
Anyone who does not love does not know God, because GOD IS LOVE.
Here is how God showed his love among us. He sent his one and only Son into the world. He sent him so we could receive life through him." (1 John 4:7-9)
Jesus died on the cross for the forgiveness of sins and overcame death.
When JESUS rose from the dead, this mighty light of life radiated from His body and created this wonderful image on His burial shroud:
The Turin Shroud emits a very special energy.
It is the cloth in which Jesus Christ was wrapped when he lay in the tomb and rose again on the third day.
During this event, a PHOTO of JESUS manifested on the shroud.
Despite extensive scientific investigations, the formation of Jesus' image on the cloth cannot be scientifically explained, and modern technology is incapable of creating such an image.
The image was created by an energy still not understood by science, but one that is mentioned in the Bible:
Jesus is the light of the world and radiates the light of life:
"Then Jesus spoke again to them, saying: I am the light of the world. Whoever follows me will not walk in darkness but will have the light of life." (John 8:12)
This light is real! The apostles Peter, James, and John, for example, witnessed Jesus' transfiguration on Mount Tabor, where the light emanating from him changed his clothing:
"And as he prayed, the appearance of his face was altered, and his robe became white and dazzling." (Luke 9:29)
"And he was transfigured before them; his face shone like the sun, and his clothes became white as light." (Matthew 17:2)
When Jesus Christ rose from the dead, he emitted this powerful light from his body, creating this wondrous image on the shroud. His body’s image is especially visible in a negative of the shroud’s photograph:
It is the cloth in which Jesus Christ was wrapped when he lay in the tomb and rose again on the third day.
During this event, a PHOTO of JESUS manifested on the shroud.
Despite extensive scientific investigations, the formation of Jesus' image on the cloth cannot be scientifically explained, and modern technology is incapable of creating such an image.
The image was created by an energy still not understood by science, but one that is mentioned in the Bible:
Jesus is the light of the world and radiates the light of life:
"Then Jesus spoke again to them, saying: I am the light of the world. Whoever follows me will not walk in darkness but will have the light of life." (John 8:12)
This light is real! The apostles Peter, James, and John, for example, witnessed Jesus' transfiguration on Mount Tabor, where the light emanating from him changed his clothing:
"And as he prayed, the appearance of his face was altered, and his robe became white and dazzling." (Luke 9:29)
"And he was transfigured before them; his face shone like the sun, and his clothes became white as light." (Matthew 17:2)
When Jesus Christ rose from the dead, he emitted this powerful light from his body, creating this wondrous image on the shroud. His body’s image is especially visible in a negative of the shroud’s photograph:
God gives us the JESUS PHOTO as a miracle so that we may believe more easily: "Unless you see signs and wonders," Jesus said to him, "you will never believe." (John 4:48)
"God also testified to it by signs, wonders, and various miracles, and by gifts of the Holy Spirit distributed according to His will." (Hebrews 2:4)
The JESUS PHOTO brings peace and love into the world! It has the power to transform YOU and change humanity! Even today, this wondrous energy radiates from every piece of the Shroud.
Millions of people visit the Turin Shroud when it is accessible to humanity for only a few days each century. Even though most only see it for a few seconds, for many, it changes their entire lives.
That is why, in the 18th century, Popes Clement XII and Benedict XIV initiated a special project.
They had fragments of the Turin Shroud extracted to distribute them around the world and make them accessible to the people.
(Top left and right)
"God also testified to it by signs, wonders, and various miracles, and by gifts of the Holy Spirit distributed according to His will." (Hebrews 2:4)
The JESUS PHOTO brings peace and love into the world! It has the power to transform YOU and change humanity! Even today, this wondrous energy radiates from every piece of the Shroud.
Millions of people visit the Turin Shroud when it is accessible to humanity for only a few days each century. Even though most only see it for a few seconds, for many, it changes their entire lives.
That is why, in the 18th century, Popes Clement XII and Benedict XIV initiated a special project.
They had fragments of the Turin Shroud extracted to distribute them around the world and make them accessible to the people.
(Top left and right)
Already in the Bible, we read how divine energy was transmitted to people with the help of energetically charged cloths:
"And God did extraordinary miracles through the hands of Paul. Even his handkerchiefs and cloths, which he had worn on his skin, were taken and laid on the sick; then the diseases left them..." (Acts 19:11-12)
And of course, the clothing of Jesus Christ was especially strongly charged with this energy:
"And behold, a woman who had suffered from bleeding for twelve years came up behind him and touched the hem of his garment; for she said to herself: If I only touch his garment, I will be healed." (Matthew 9:20-21)
And indeed, when she touched Jesus' clothing, she was healed.
It is important to understand that the healing occurred while Jesus was walking through a crowd and many people touched him:
"At that moment, Jesus felt that power had gone out from him, and he turned around in the crowd and asked: Who touched my garment? His disciples said to him: You see how the people are pressing around you, and yet you ask: Who touched me? He looked around to see who had done it. Then the woman, trembling with fear because she knew what had happened to her, fell at his feet and told him the whole truth. But he said to her: My daughter, your faith has healed you..." (Mark 5:30-34)
From this, we learn that we must open ourselves in faith to receive this energy. This is possible through TRADITIONAL CHRISTIAN MEDITATION.
This meditation was practiced and taught by the apostles. Through this meditation, we can open ourselves, and the energy can flow within us.
The apostle Mark (one of the apostles of Jesus, who also wrote the Gospel in the Bible), went to Egypt and taught this knowledge and meditation practices. In the desert, the famous DESERT FATHERS passed on this knowledge from generation to generation.
The blessing for those who practice this meditation is wonderful. Through this TRADITIONAL CHRISTIAN MEDITATION, the Light of Life becomes tangible.
This Light of Life leads to illumination and enlightenment. You can ignite the flame of love in your heart and enter into Christ Consciousness.
"And God did extraordinary miracles through the hands of Paul. Even his handkerchiefs and cloths, which he had worn on his skin, were taken and laid on the sick; then the diseases left them..." (Acts 19:11-12)
And of course, the clothing of Jesus Christ was especially strongly charged with this energy:
"And behold, a woman who had suffered from bleeding for twelve years came up behind him and touched the hem of his garment; for she said to herself: If I only touch his garment, I will be healed." (Matthew 9:20-21)
And indeed, when she touched Jesus' clothing, she was healed.
It is important to understand that the healing occurred while Jesus was walking through a crowd and many people touched him:
"At that moment, Jesus felt that power had gone out from him, and he turned around in the crowd and asked: Who touched my garment? His disciples said to him: You see how the people are pressing around you, and yet you ask: Who touched me? He looked around to see who had done it. Then the woman, trembling with fear because she knew what had happened to her, fell at his feet and told him the whole truth. But he said to her: My daughter, your faith has healed you..." (Mark 5:30-34)
From this, we learn that we must open ourselves in faith to receive this energy. This is possible through TRADITIONAL CHRISTIAN MEDITATION.
This meditation was practiced and taught by the apostles. Through this meditation, we can open ourselves, and the energy can flow within us.
The apostle Mark (one of the apostles of Jesus, who also wrote the Gospel in the Bible), went to Egypt and taught this knowledge and meditation practices. In the desert, the famous DESERT FATHERS passed on this knowledge from generation to generation.
The blessing for those who practice this meditation is wonderful. Through this TRADITIONAL CHRISTIAN MEDITATION, the Light of Life becomes tangible.
This Light of Life leads to illumination and enlightenment. You can ignite the flame of love in your heart and enter into Christ Consciousness.
And this new awareness leads us into the will of God, which we can live through the fire of God in our hearts: "God is love, and whoever remains in love remains in God, and God remains in him." (1 John 4:16) And this burning divine fire of love in our hearts leads us into a new life, as Jesus commanded us: "A new commandment I give you: Love one another! As I have loved you, so you must love one another. By this, everyone will know that you are my disciples: if you love one another." (John 13:34-35) This light of love should shine from our hearts and lead people to the knowledge of God. Jesus, the light of the world, transforms us and shines through us, so that we ourselves become the light of life and initiate transformation in others: "You are the light of the world. Let your light shine before people, so that they may see your good deeds and praise your Father in heaven." (Matthew 5:14,16) |
The dissemination of the photo of Jesus, along with the relics (parts) of the Shroud, can first transform the individual and ultimately the entire humanity.
I am researching the interactions between
Brain & Consciousness
and
Art & Relics
In this, water in our body plays an important role.
Brain & Consciousness
and
Art & Relics
In this, water in our body plays an important role.
My developments have led to several patent applications.
Here is my first patent application
and a joint photo with the Federal Minister for Education and Research of Germany, Dr. Annette Schavan, at CEBIT:
Here is my first patent application
and a joint photo with the Federal Minister for Education and Research of Germany, Dr. Annette Schavan, at CEBIT:
I have integrated my early research on connecting the brain and computer into a sacral art project:
THOUGHTS and VISIONS for the FUTURE of HUMANITY >>> www.CY3ER.art (In German language)
THOUGHTS and VISIONS for the FUTURE of HUMANITY >>> www.CY3ER.art (In German language)
After years of scientific research, my goal now is to use the valuable insights for positive transformative processes in society.
At the moment, I describe myself as a sacral artist, because I consider the medium of sacral art to be ideal for communicating ideas and contributing to the advancement of humanity. Sacral art is not just a medium for discussion but holds within itself the power to transform the lives of many people.
In my research on connecting the brain and computer, I have learned how important clean water is for brain functions and consciousness.
Find out more about the importance of clean water for our brain and consciousness: www.Lebenswasser.net (In German language)
Water changes its structure depending on the state of consciousness. Water itself is part of our being.
I have studied the effects of holy water and relics on humans. When we come near relics, they change the structure of the water in our body. This leads to healing and enhanced states of consciousness.
At the moment, I describe myself as a sacral artist, because I consider the medium of sacral art to be ideal for communicating ideas and contributing to the advancement of humanity. Sacral art is not just a medium for discussion but holds within itself the power to transform the lives of many people.
In my research on connecting the brain and computer, I have learned how important clean water is for brain functions and consciousness.
Find out more about the importance of clean water for our brain and consciousness: www.Lebenswasser.net (In German language)
Water changes its structure depending on the state of consciousness. Water itself is part of our being.
I have studied the effects of holy water and relics on humans. When we come near relics, they change the structure of the water in our body. This leads to healing and enhanced states of consciousness.
Possible Effects of Relics on Our Bodily Fluids – Photographed
The two photos show, using dark-field microscopy, a change in human blood. On the left, the erythrocytes (red blood cells) are clumped together, while on the right, they are freely moving in the blood.
Such effects are possible through the energy field of the relic. This has a significant impact on health, well-being, and performance.
Relics can also energize water. With high energization, the angles of the H₂O molecules shift from 104° (normal) to 108° between the atoms H-O-H.
The basis for these changes is likely a structuring of water by an as-yet unexplored energy field.
The two photos show, using dark-field microscopy, a change in human blood. On the left, the erythrocytes (red blood cells) are clumped together, while on the right, they are freely moving in the blood.
Such effects are possible through the energy field of the relic. This has a significant impact on health, well-being, and performance.
Relics can also energize water. With high energization, the angles of the H₂O molecules shift from 104° (normal) to 108° between the atoms H-O-H.
The basis for these changes is likely a structuring of water by an as-yet unexplored energy field.
Especially relics like the Turin Shroud have already changed the lives of millions of people. The Turin Shroud emits a special energy.
With special technology, I have made more visible what is actually present on the Turin Shroud. When we look at the Jesus Photo, our consciousness and the water in our body change. A Jesus Photo printed on paper, which has touched the Turin Shroud, transmits the “energy” of the Shroud in a yet unknown way. When such a photo is brought near water, the structure of the water changes. When we drink this water, it alters the structure of all the water in our body, which can lead to healing and enhanced states of consciousness. |
This transformation can transition into a permanent state.
There are special individuals who have transformed the water in their bodies to a higher energy level and are also capable of changing the water in their environment and in other people.
In the Bible, we read how the sweat of the Apostle Paul was used to heal many people:
"And God performed extraordinary miracles through the hands of Paul. Even his handkerchiefs and cloths, which he had worn on his skin, were taken and laid on the sick; then the diseases left them, and the evil spirits went out." (Acts 19:11-12)
The faith in Jesus transformed Apostle Paul, and through him, others were healed and transformed. The Bible states that from everyone who believes in Jesus, such healing water will flow:
"Whoever believes in me, as the Scripture has said, streams of living water will flow from within them." (John 7:38)
"By this, he meant the Spirit, whom those who believed in him were later to receive." (John 7:39)
Thus, in this Living Water, the energy of the Holy Spirit is contained.
The Holy Spirit, which is transmitted through fire/light as well as water, spreads its energy field through these mediums. This energy and its field can be stored and transported in cloths.
Examples include the light energy field in the Turin Shroud and the handkerchiefs of Paul.
These energy fields of the Holy Spirit are still relatively unknown to us. With this project, I am attempting to scientifically measure and capture them for the first time. The effects of these force fields of the Holy Spirit on water and their impact on humans are the key focus.
The numerous healing stories, where healing occurred through laying on of hands and prayer, can likely be explained by a transfer of the Holy Spirit’s power through water.
The body water of a transformed person, such as Apostle Paul, transforms—upon contact through laying on of hands—the body water of the person being healed.
Energy is transferred within the energy field of the Holy Spirit.
Those who follow Jesus experience a transformation and become the Temple of the Holy Spirit:
"Do you not know that your body is a temple of the Holy Spirit, who is in you, whom you have received from God?" (1 Corinthians 6:19)
There are special individuals who have transformed the water in their bodies to a higher energy level and are also capable of changing the water in their environment and in other people.
In the Bible, we read how the sweat of the Apostle Paul was used to heal many people:
"And God performed extraordinary miracles through the hands of Paul. Even his handkerchiefs and cloths, which he had worn on his skin, were taken and laid on the sick; then the diseases left them, and the evil spirits went out." (Acts 19:11-12)
The faith in Jesus transformed Apostle Paul, and through him, others were healed and transformed. The Bible states that from everyone who believes in Jesus, such healing water will flow:
"Whoever believes in me, as the Scripture has said, streams of living water will flow from within them." (John 7:38)
"By this, he meant the Spirit, whom those who believed in him were later to receive." (John 7:39)
Thus, in this Living Water, the energy of the Holy Spirit is contained.
The Holy Spirit, which is transmitted through fire/light as well as water, spreads its energy field through these mediums. This energy and its field can be stored and transported in cloths.
Examples include the light energy field in the Turin Shroud and the handkerchiefs of Paul.
These energy fields of the Holy Spirit are still relatively unknown to us. With this project, I am attempting to scientifically measure and capture them for the first time. The effects of these force fields of the Holy Spirit on water and their impact on humans are the key focus.
The numerous healing stories, where healing occurred through laying on of hands and prayer, can likely be explained by a transfer of the Holy Spirit’s power through water.
The body water of a transformed person, such as Apostle Paul, transforms—upon contact through laying on of hands—the body water of the person being healed.
Energy is transferred within the energy field of the Holy Spirit.
Those who follow Jesus experience a transformation and become the Temple of the Holy Spirit:
"Do you not know that your body is a temple of the Holy Spirit, who is in you, whom you have received from God?" (1 Corinthians 6:19)
Jesus transformed His apostles and offers this transformation to everyone. Jesus offers us the water of life. If we drink normal water, we will always be thirsty again, but the water of life that Jesus offers us can give us ETERNAL LIFE:
Jesus says: "Everyone who drinks this water will be thirsty again; but whoever drinks the water that I will give him will never be thirsty again. Rather, the water I will give him will become in him a spring of water welling up to eternal life." (John 4:13-14)
Jesus says: "Everyone who drinks this water will be thirsty again; but whoever drinks the water that I will give him will never be thirsty again. Rather, the water I will give him will become in him a spring of water welling up to eternal life." (John 4:13-14)
THE JESUS.PHOTO IS A GIFT TO HUMANITY AND AN INVITATION TO FOLLOW THE PATH OF LOVE.
I have received a piece of the Shroud of Turin and am now making it available to humanity.
After the two Popes extracted the two large pieces from the Shroud of Turin, they were divided into smaller pieces to be distributed around the world. Unfortunately, these pieces of the Shroud of Turin were not really made available to the people. But now I have received a piece of the Shroud of Turin to make it accessible to humanity.
This special piece of the Shroud was sealed in a reliquary by Archbishop d'Arignano of Turin. The transfer was accompanied by the internationally recognized expert Michael Hesemann CSC, OEBDC. He further confirmed the authenticity of the relic and the integrity of the sealing with an expert report. Hesemann is a member of the Spanish center CES (Centro Español de Sindonología), dedicated to the study of the Shroud of Turin, which is affiliated with the University of Valencia. |
Michael Hesemann CSC, OEBDC is also an expert on the cross on which Jesus Christ was crucified. With official approval from the Vatican, Michael Hesemann investigated the history of the relic of the inscription tablet of Jesus Christ’s cross. The inscription tablet was dated to the 1st century by seven experts in comparative palaeography (the established method for dating inscriptions), which impressively confirmed its authenticity. On December 17, 1998, Hesemann was personally received by Pope John Paul II to present the results of his study on this important relic. Later, Pope John Paul II expressed his admiration and recognition for this elaborate investigation in a letter. |
I also received parts of the cross of Christ.
With the help of Hesemann, I received parts of the cross on which Jesus Christ was crucified.
Certificate of Authenticity and Letter of Recommendation from the Roman Catholic Church, issued by the Latin Patriarch of Jerusalem, Luigi Piavi, the Grand Master of the Knights of the Holy Sepulchre OESSH:
The history of the parts of the Holy Cross of Jesus Christ, on which Jesus Christ was crucified.
The first Christians preserved the knowledge of the holy sites where Jesus Christ lived and the sacred relics. This knowledge was continuously passed down and remains part of the Church’s living tradition.
The Apostle Paul traveled to Jerusalem in the year 57 with a delegation from the Greek community, where they visited the sites and relics of Christ. Christian pilgrimage has been documented since the 2nd century.
Bishop Melito of Sardis (Asia Minor) visited around the year 160, and when Alexander of Cappadocia (a disciple of Clement of Alexandria) arrived in Jerusalem in 212 to pray and visit the holy sites, the local Christian community was so overjoyed that they did not let him return home but instead appointed him bishop.
The Church Father Origen visited for research and inspection in the years 215 and 230.
In 325, Macarius, the Bishop of Jerusalem, met Emperor Constantine in Nicaea. Bishop Macarius informed the emperor about the sites of Christ’s Passion (Golgotha, the site of Christ’s crucifixion, and Christ’s tomb), which Emperor Hadrian had covered with earth and built a temple to Aphrodite over.
For Christians, this was a desecration of their holiest site, but it was part of Hadrian’s plan. He sought to integrate the holy sites and Jesus Christ into his religion while simultaneously asserting his supremacy. The temple was dedicated to Aphrodite because, according to myth, she descended into Hades (the realm of the dead) to resurrect the young Adonis/Tammuz. Hadrian attempted to geographically and philosophically transfer this story onto Jesus to deceive Christians. The platform’s elevation left the peak of Golgotha exposed, where a statue of Aphrodite stood, holding a son named Golgos.
To complete this appropriation, Hadrian also transformed Jesus Christ’s birthplace grotto into an Adonis/Tammuz sanctuary and built a temple to Rome’s three highest gods over the Temple of Jerusalem.
Emperor Constantine acted immediately, ordering the removal of the pagan temple that Hadrian had built over Golgotha and the Holy Sepulchre. He also commanded the construction of a magnificent mausoleum over Christ’s tomb and a monumental basilica over Golgotha.
Constantine took personal charge of the project and sent his mother, Empress Helena, a baptized Christian since 312. She had previously dreamed that she would find the true cross of Christ.
The project began in 325. When Hadrian’s embankments were removed in the presence of Empress Helena, the grotto (cistern) was uncovered, where the true cross of Christ was stored along with the inscription plaque bearing “Jesus of Nazareth, King of the Jews,” three nails, and the two crosses of the criminals crucified alongside Jesus. (The grotto is now beneath the Church of the Holy Sepulchre.) The cross was placed over a sick woman, who was miraculously healed.
Many Church historians of the 4th and 5th centuries reported on this event, including Gelasius, Rufinus, Theodoret, Sozomen, Socrates Scholasticus, Alexander Monachus, Saint Ambrose of Milan, Saint Chrysostom, Saint Paulinus of Nola, and many others.
The Church of the Holy Sepulchre was finally consecrated on September 14, 335, the tenth anniversary of the discovery of the cross. The monumental Martyrion Basilica was built precisely over the site where the cross was kept (not over the peak of Golgotha, which remained in an open courtyard).
Helena divided the wondrous wood of the cross into several parts. One fragment remained in Jerusalem, another was sent to Constantinople to her son, and a third was brought to Rome. A portion of this and a part of the inscription plaque bearing “I NAZARINUS R...” are now preserved in the Basilica di S. Croce, one of Rome’s seven principal churches.
Her palace was converted into a church, now known as Santa Croce in Gerusalemme. Inside the church is the so-called Helena Chapel, whose floor was reportedly covered with soil from the Holy Land. This led to the designation of the site as Holy Land, giving the church its unusual name, “In Gerusalemme.” The inscription in the Helena Chapel reads: “Here is preserved the sacred earth from Calvary in Jerusalem, spread out by the blessed Helena in the lower vault, over which she built this chapel named Jerusalem.”
The Apostle Paul traveled to Jerusalem in the year 57 with a delegation from the Greek community, where they visited the sites and relics of Christ. Christian pilgrimage has been documented since the 2nd century.
Bishop Melito of Sardis (Asia Minor) visited around the year 160, and when Alexander of Cappadocia (a disciple of Clement of Alexandria) arrived in Jerusalem in 212 to pray and visit the holy sites, the local Christian community was so overjoyed that they did not let him return home but instead appointed him bishop.
The Church Father Origen visited for research and inspection in the years 215 and 230.
In 325, Macarius, the Bishop of Jerusalem, met Emperor Constantine in Nicaea. Bishop Macarius informed the emperor about the sites of Christ’s Passion (Golgotha, the site of Christ’s crucifixion, and Christ’s tomb), which Emperor Hadrian had covered with earth and built a temple to Aphrodite over.
For Christians, this was a desecration of their holiest site, but it was part of Hadrian’s plan. He sought to integrate the holy sites and Jesus Christ into his religion while simultaneously asserting his supremacy. The temple was dedicated to Aphrodite because, according to myth, she descended into Hades (the realm of the dead) to resurrect the young Adonis/Tammuz. Hadrian attempted to geographically and philosophically transfer this story onto Jesus to deceive Christians. The platform’s elevation left the peak of Golgotha exposed, where a statue of Aphrodite stood, holding a son named Golgos.
To complete this appropriation, Hadrian also transformed Jesus Christ’s birthplace grotto into an Adonis/Tammuz sanctuary and built a temple to Rome’s three highest gods over the Temple of Jerusalem.
Emperor Constantine acted immediately, ordering the removal of the pagan temple that Hadrian had built over Golgotha and the Holy Sepulchre. He also commanded the construction of a magnificent mausoleum over Christ’s tomb and a monumental basilica over Golgotha.
Constantine took personal charge of the project and sent his mother, Empress Helena, a baptized Christian since 312. She had previously dreamed that she would find the true cross of Christ.
The project began in 325. When Hadrian’s embankments were removed in the presence of Empress Helena, the grotto (cistern) was uncovered, where the true cross of Christ was stored along with the inscription plaque bearing “Jesus of Nazareth, King of the Jews,” three nails, and the two crosses of the criminals crucified alongside Jesus. (The grotto is now beneath the Church of the Holy Sepulchre.) The cross was placed over a sick woman, who was miraculously healed.
Many Church historians of the 4th and 5th centuries reported on this event, including Gelasius, Rufinus, Theodoret, Sozomen, Socrates Scholasticus, Alexander Monachus, Saint Ambrose of Milan, Saint Chrysostom, Saint Paulinus of Nola, and many others.
The Church of the Holy Sepulchre was finally consecrated on September 14, 335, the tenth anniversary of the discovery of the cross. The monumental Martyrion Basilica was built precisely over the site where the cross was kept (not over the peak of Golgotha, which remained in an open courtyard).
Helena divided the wondrous wood of the cross into several parts. One fragment remained in Jerusalem, another was sent to Constantinople to her son, and a third was brought to Rome. A portion of this and a part of the inscription plaque bearing “I NAZARINUS R...” are now preserved in the Basilica di S. Croce, one of Rome’s seven principal churches.
Her palace was converted into a church, now known as Santa Croce in Gerusalemme. Inside the church is the so-called Helena Chapel, whose floor was reportedly covered with soil from the Holy Land. This led to the designation of the site as Holy Land, giving the church its unusual name, “In Gerusalemme.” The inscription in the Helena Chapel reads: “Here is preserved the sacred earth from Calvary in Jerusalem, spread out by the blessed Helena in the lower vault, over which she built this chapel named Jerusalem.”
Parts of the Cross of Christ were spread throughout the world to make its blessing accessible to people.
As early as the year 349 AD, Saint Cyril, Bishop of Jerusalem, stated that the true Cross of Christ was gradually distributed from Jerusalem to almost the entire world. He documented the practice of distributing small pieces of the sacred wood.
In the Roman city of Tixter in Mauretania, a relic of the Cross had been preserved since the year 359, and the inscription from its altar is now displayed in the Louvre. Even earlier, the North African Roman city of Rasgunia at Cape Matifu had a relic of the Cross.
Before the year 450, Empress Galla Placidia built the Santa Croce Church in Ravenna to house a relic of the Cross.
Around the year 455, Juvenal, the Patriarch of Jerusalem, sent a fragment of the Cross to Pope Leo.
When Saint Paulinus of Nola received a piece of the Cross from Bishop John of Jerusalem in the year 401 and sent part of it to his friend Sulpicius Severus, he wrote: "Receive a great gift in a small casket and use it as armor against present dangers and as assurance of everlasting protection."He emphasized that "even the smallest piece of the Cross contains the full power of the Cross of Jesus Christ."
STAUROPHYLAX – GUARDIAN OF THE HOLY CROSS
The office of Staurophylax was established. A Staurophylax is a "Guardian of the Cross."
The Staurophylax receives a part of the original Cross of Christ to preserve it and make it accessible to humanity.
As early as the year 349 AD, Saint Cyril, Bishop of Jerusalem, stated that the true Cross of Christ was gradually distributed from Jerusalem to almost the entire world. He documented the practice of distributing small pieces of the sacred wood.
In the Roman city of Tixter in Mauretania, a relic of the Cross had been preserved since the year 359, and the inscription from its altar is now displayed in the Louvre. Even earlier, the North African Roman city of Rasgunia at Cape Matifu had a relic of the Cross.
Before the year 450, Empress Galla Placidia built the Santa Croce Church in Ravenna to house a relic of the Cross.
Around the year 455, Juvenal, the Patriarch of Jerusalem, sent a fragment of the Cross to Pope Leo.
When Saint Paulinus of Nola received a piece of the Cross from Bishop John of Jerusalem in the year 401 and sent part of it to his friend Sulpicius Severus, he wrote: "Receive a great gift in a small casket and use it as armor against present dangers and as assurance of everlasting protection."He emphasized that "even the smallest piece of the Cross contains the full power of the Cross of Jesus Christ."
STAUROPHYLAX – GUARDIAN OF THE HOLY CROSS
The office of Staurophylax was established. A Staurophylax is a "Guardian of the Cross."
The Staurophylax receives a part of the original Cross of Christ to preserve it and make it accessible to humanity.
SACRAL ART
The Cross and the Shroud of Christ are arguably the two most valuable artifacts of humanity. On the Cross, Jesus Christ sacrificed Himself for the forgiveness of sins, and the Shroud bears witness to His resurrection and eternal life.
Together, these two relics represent new life and bring us a special blessing. Through sacred art, we now make this blessing accessible to people.
Together, these two relics represent new life and bring us a special blessing. Through sacred art, we now make this blessing accessible to people.
Relic Art
With original pieces of the Shroud of Turin
(The cloth in which Jesus was wrapped during the Resurrection)
"Thy word is a lamp unto my feet, and a light unto my path." – Psalm 119:105
Many people are searching and longing for guidance.
"Lord, how can we know the way?
Jesus answers: I am the way" (John 14:5-6)
The use of relics and art, combined with meditation and prayer, to provide people with a spiritual experience and make knowledge tangible, has a long tradition in the Church, dating back to the Apostles. These experiences offer people new perspectives on life and the guidance that so many seek.
These experiences are transformative and arise from one's own individual spiritual journey, which is so essential. Experience and understanding go hand in hand and are two key components of our transformation. In this project, we also engage the intellect with scientific information and exploration of the wonder of the existence of the Shroud of Turin. The Shroud of Turin is the cloth in which Jesus was wrapped during His resurrection and still today reveals His image to us.
Mysteries, such as the discovery of holographic depth information on the Shroud, continue to intrigue people. Scientists from the University of Padua and the Institute of Crystallography recently (in 2022) used the new WAXS X-ray analysis method to confirm that the Shroud of Turin indeed dates back to the time of Jesus Christ. This discovery made worldwide headlines as a "scientific sensation."
There is a great desire among both scientists and the public to approach this phenomenon from new perspectives.
Numerous scientific methods have repeatedly confirmed the authenticity of the Shroud, often by researchers who initially sought to prove it was a forgery—because the mere existence of the Shroud of Turin does not fit their worldview. Thus, the Shroud has become a place of intellectual engagement, where our scientific minds wrestle with the deeper mysteries of God.
In our society, there is a significant lack of opportunities for individual spiritual experiences. That is why, through this project, we bring these time-honored and nearly forgotten treasures of Christian tradition into a modern form, making these wondrous treasures accessible to people today.
"Lord, how can we know the way?
Jesus answers: I am the way" (John 14:5-6)
The use of relics and art, combined with meditation and prayer, to provide people with a spiritual experience and make knowledge tangible, has a long tradition in the Church, dating back to the Apostles. These experiences offer people new perspectives on life and the guidance that so many seek.
These experiences are transformative and arise from one's own individual spiritual journey, which is so essential. Experience and understanding go hand in hand and are two key components of our transformation. In this project, we also engage the intellect with scientific information and exploration of the wonder of the existence of the Shroud of Turin. The Shroud of Turin is the cloth in which Jesus was wrapped during His resurrection and still today reveals His image to us.
Mysteries, such as the discovery of holographic depth information on the Shroud, continue to intrigue people. Scientists from the University of Padua and the Institute of Crystallography recently (in 2022) used the new WAXS X-ray analysis method to confirm that the Shroud of Turin indeed dates back to the time of Jesus Christ. This discovery made worldwide headlines as a "scientific sensation."
There is a great desire among both scientists and the public to approach this phenomenon from new perspectives.
Numerous scientific methods have repeatedly confirmed the authenticity of the Shroud, often by researchers who initially sought to prove it was a forgery—because the mere existence of the Shroud of Turin does not fit their worldview. Thus, the Shroud has become a place of intellectual engagement, where our scientific minds wrestle with the deeper mysteries of God.
In our society, there is a significant lack of opportunities for individual spiritual experiences. That is why, through this project, we bring these time-honored and nearly forgotten treasures of Christian tradition into a modern form, making these wondrous treasures accessible to people today.
In the relic artworks, authentic pieces of the Shroud of Turin or the Cross of Christ are integrated.
This first-class relic is protected by a metal casing.
The artworks enable a real experience of the Light of Life.
They offer the open-minded viewer the opportunity to access this boundless energy and illuminate their consciousness.
And with this light, to brighten and reflect on one's own life path—to find decisions for one's journey in the light of this spiritual experience.
Where am I in life right now?
Where will I end up if I continue on my current path?
Where do I truly want to go?
What must I change to reach my desired destination?
Who am I now?
Who do I want to be?
Who am I truly?
They offer the open-minded viewer the opportunity to access this boundless energy and illuminate their consciousness.
And with this light, to brighten and reflect on one's own life path—to find decisions for one's journey in the light of this spiritual experience.
Where am I in life right now?
Where will I end up if I continue on my current path?
Where do I truly want to go?
What must I change to reach my desired destination?
Who am I now?
Who do I want to be?
Who am I truly?
With this project, we spread the path of love.
The encounter with Jesus.Photo brings God’s love to people. And this love transforms EVERYTHING.
For my work, I have received the blessing of the Pope:
THE "PRODUCT"
For JESUS.PHOTO, I have used special technologies to make visible what is truly present on the Shroud.
The Shroud is like a holographic photo negative that, after "development," reveals the actual image.
During this process, I have enhanced and refined aspects to recreate how the Light of Life radiated from Jesus' body.
JESUS.PHOTO is optimized to make the transformative power of the image accessible.
Simply viewing JESUS.PHOTO can already transform consciousness.
The Shroud is like a holographic photo negative that, after "development," reveals the actual image.
During this process, I have enhanced and refined aspects to recreate how the Light of Life radiated from Jesus' body.
JESUS.PHOTO is optimized to make the transformative power of the image accessible.
Simply viewing JESUS.PHOTO can already transform consciousness.
For the inscription "JESUS.PHOTO," I use the FUTURA typeface.
The font was created in 1925 by Paul Renner in Frankfurt at the famous Städelschule art school. FUTURA is associated with the Neues Frankfurt project.
Neues Frankfurt was an urban planning program between 1925 and 1930 that encompassed all aspects of urban design in Frankfurt am Main. It became widely known for its housing development efforts, which addressed the acute housing shortage of the 1920s. As part of New Building, it set aesthetic standards. Furthermore, it was a social reform movement that influenced many aspects of life.
It was about building a new future, and FUTURA became the inscription and expression of that future.
Closely related to this is the BAUHAUS movement.
The Staatliches Bauhaus, now simply Bauhaus, was an art school founded in 1919 by Walter Gropius in Weimar.
In terms of concept and design, it was completely new at the time—a fusion of art and craftsmanship.
The Bauhaus existed parallel to the Weimar Republic from 1919 to 1933 and is now recognized worldwide as the home of the avant-garde in classical modern architecture, art, and design. The influence of Bauhaus continues today and shapes the image of modernist movements.
The impact of Bauhaus was so significant that in everyday language, the term Bauhaus is often equated with modern architecture and design.
Its intention and results showed many similarities and connections with the Deutscher Werkbund, founded in 1907, of which Walter Gropius was a member until 1933.
Bauhaus as a Social VisionThe "Staatliches Bauhaus" was conceived by Walter Gropius as a work community in which the distinction between artist and craftsman was abolished. Through their creations, the members of Bauhaus aimed to eliminate social differences and promote understanding between nations.
One key idea of Bauhaus was to integrate architecture as a total artwork with the other arts.
Therefore, Bauhaus declared in its founding manifesto of 1919: "The ultimate goal of all artistic activity is the building."
It was about constructing the future, shaping society and culture, and building a new world.
From War to ReconstructionAfter the horrors and destruction of World War I, a new, better future needed to be built.
Equality in moving forward was essential, and mass reconstruction had to be affordable for all. Thus, experimentation with modern materials such as steel, glass, and concrete took place, prioritizing functionality and practicality.
This led to principles such as "Form follows function."
Extravagant decorations and ornaments were rejected, instead, the focus was on clear, reduced shapes and lines.
It was about the feeling of technological and cultural advancement, the creation of a future that gives everyone the freedom to develop independently.
The FUTURA typeface embodied this new way of life and evoked it in its viewers.
Walter Gropius declared: "Artists and craftsmen must work together to create 'the new building of the future'— which will one day rise toward heaven as a crystalline symbol of a new faith to come."
FUTURA and JESUS.PHOTO
By using FUTURA, I express that successful societal transformation is only possible through and with God. JESUS is the path to a good future.
This became painfully clear when the Nazis came to power: The ideology of Bauhaus—which promoted modern art and international cooperation—stood in direct opposition to the nationalist views of the Nazis.
Bauhaus art was branded as "degenerate art", and the Bauhaus school was shut down.
The Nazis sought to control visual culture. They wanted to shape the visual environment so that it reflected their power and worldview.
JESUS.PHOTO as an Invitation
JESUS.PHOTO, on the other hand, expresses a visual culture that invites people from all over the world to a shared future with God on equal terms.
Post-War Reconstruction and CritiqueAfter World War II, destruction was even greater, and society needed a break from the past and a massive rebuilding effort. Once again, Bauhaus was a major influence.
However, significant shortcomings in Bauhaus architecture soon became apparent: Impersonal design, cold aesthetics, and uniformity.
Neglecting human needs for comfort and individuality in favor of functionality ultimately led to dehumanization— the opposite of what was originally intended.
People were reduced to interchangeable factors in a functional environment dictated by mass production. A world where profit maximization, consumerism, and standardized people became the norm.
This led to criticism in art regarding consumerism and human conformity.
While the philosopher Descartes proclaimed in 1637: "I think, therefore I am,"
existence and identity became increasingly dependent on money and participation in consumerism.
Thus, in her famous critique of consumer culture, Barbara Kruger expressed: "I shop, therefore I am."
The font was created in 1925 by Paul Renner in Frankfurt at the famous Städelschule art school. FUTURA is associated with the Neues Frankfurt project.
Neues Frankfurt was an urban planning program between 1925 and 1930 that encompassed all aspects of urban design in Frankfurt am Main. It became widely known for its housing development efforts, which addressed the acute housing shortage of the 1920s. As part of New Building, it set aesthetic standards. Furthermore, it was a social reform movement that influenced many aspects of life.
It was about building a new future, and FUTURA became the inscription and expression of that future.
Closely related to this is the BAUHAUS movement.
The Staatliches Bauhaus, now simply Bauhaus, was an art school founded in 1919 by Walter Gropius in Weimar.
In terms of concept and design, it was completely new at the time—a fusion of art and craftsmanship.
The Bauhaus existed parallel to the Weimar Republic from 1919 to 1933 and is now recognized worldwide as the home of the avant-garde in classical modern architecture, art, and design. The influence of Bauhaus continues today and shapes the image of modernist movements.
The impact of Bauhaus was so significant that in everyday language, the term Bauhaus is often equated with modern architecture and design.
Its intention and results showed many similarities and connections with the Deutscher Werkbund, founded in 1907, of which Walter Gropius was a member until 1933.
Bauhaus as a Social VisionThe "Staatliches Bauhaus" was conceived by Walter Gropius as a work community in which the distinction between artist and craftsman was abolished. Through their creations, the members of Bauhaus aimed to eliminate social differences and promote understanding between nations.
One key idea of Bauhaus was to integrate architecture as a total artwork with the other arts.
Therefore, Bauhaus declared in its founding manifesto of 1919: "The ultimate goal of all artistic activity is the building."
It was about constructing the future, shaping society and culture, and building a new world.
From War to ReconstructionAfter the horrors and destruction of World War I, a new, better future needed to be built.
Equality in moving forward was essential, and mass reconstruction had to be affordable for all. Thus, experimentation with modern materials such as steel, glass, and concrete took place, prioritizing functionality and practicality.
This led to principles such as "Form follows function."
Extravagant decorations and ornaments were rejected, instead, the focus was on clear, reduced shapes and lines.
It was about the feeling of technological and cultural advancement, the creation of a future that gives everyone the freedom to develop independently.
The FUTURA typeface embodied this new way of life and evoked it in its viewers.
Walter Gropius declared: "Artists and craftsmen must work together to create 'the new building of the future'— which will one day rise toward heaven as a crystalline symbol of a new faith to come."
FUTURA and JESUS.PHOTO
By using FUTURA, I express that successful societal transformation is only possible through and with God. JESUS is the path to a good future.
This became painfully clear when the Nazis came to power: The ideology of Bauhaus—which promoted modern art and international cooperation—stood in direct opposition to the nationalist views of the Nazis.
Bauhaus art was branded as "degenerate art", and the Bauhaus school was shut down.
The Nazis sought to control visual culture. They wanted to shape the visual environment so that it reflected their power and worldview.
JESUS.PHOTO as an Invitation
JESUS.PHOTO, on the other hand, expresses a visual culture that invites people from all over the world to a shared future with God on equal terms.
Post-War Reconstruction and CritiqueAfter World War II, destruction was even greater, and society needed a break from the past and a massive rebuilding effort. Once again, Bauhaus was a major influence.
However, significant shortcomings in Bauhaus architecture soon became apparent: Impersonal design, cold aesthetics, and uniformity.
Neglecting human needs for comfort and individuality in favor of functionality ultimately led to dehumanization— the opposite of what was originally intended.
People were reduced to interchangeable factors in a functional environment dictated by mass production. A world where profit maximization, consumerism, and standardized people became the norm.
This led to criticism in art regarding consumerism and human conformity.
While the philosopher Descartes proclaimed in 1637: "I think, therefore I am,"
existence and identity became increasingly dependent on money and participation in consumerism.
Thus, in her famous critique of consumer culture, Barbara Kruger expressed: "I shop, therefore I am."
Barbara Kruger is an American conceptual artist who became active in the 1970s.
She is known for her large-scale posters and installations. In her works, she addresses political and social issues from a feminist and consumer-critical perspective and is part of the first generation of feminist artists to gain worldwide recognition.
The impact of her posters, later her wall-sized installations, emerged during a time marked by both political upheaval and the rise of conceptual art.
Her graphic works typically consist of black-and-white photographs with slogans in white FUTURA font on a red background.
Often, slogan and image are closely intertwined. Barbara Kruger's pointed phrases have become modern proverbs, such as: "I shop therefore I am." ("Ich kaufe, also bin ich.")
Kruger draws from visual resources of the 1940s and 1950s, re-photographing them. The practice of using and altering existing images is known as Appropriation Art.
Appropriation Art emerged in late 1970s New York.
She is known for her large-scale posters and installations. In her works, she addresses political and social issues from a feminist and consumer-critical perspective and is part of the first generation of feminist artists to gain worldwide recognition.
The impact of her posters, later her wall-sized installations, emerged during a time marked by both political upheaval and the rise of conceptual art.
Her graphic works typically consist of black-and-white photographs with slogans in white FUTURA font on a red background.
Often, slogan and image are closely intertwined. Barbara Kruger's pointed phrases have become modern proverbs, such as: "I shop therefore I am." ("Ich kaufe, also bin ich.")
Kruger draws from visual resources of the 1940s and 1950s, re-photographing them. The practice of using and altering existing images is known as Appropriation Art.
Appropriation Art emerged in late 1970s New York.
Barbara Kruger's artworks are a critique and rebellion against social structures and expectations.
People are not the property of corporations, and women do not have to look the way advertisements dictate. And the most important things in life cannot be bought.
Her artworks call for rebellion.
This message was embraced by the rebellious skateboard scene in New York. In 1994, James Jebbia opened a small store aimed at local skateboarders— the first SUPREME store.
People are not the property of corporations, and women do not have to look the way advertisements dictate. And the most important things in life cannot be bought.
Her artworks call for rebellion.
This message was embraced by the rebellious skateboard scene in New York. In 1994, James Jebbia opened a small store aimed at local skateboarders— the first SUPREME store.
In true Barbara Kruger style, with white FUTURA lettering on a red background, the futuristic reconstruction of society was once again being shaped, creating a cool counterculture.
But very quickly, the cool and rebellious products turned into a mass movement, and instead of rebelling against consumerism, SUPREME suddenly became a company that pushed consumption to new levels of madness.
Teenagers participate in raffles, then stand in extremely long lines for hours just to briefly enter the Supreme store and be allowed to purchase a maximum of one item.
Often, it doesn’t even matter what they buy— as long as it has the Supreme logo. Because, if needed, everything can be resold at unbelievably high prices. Even a brick with the Supreme logo has been sold for $1,000.
Collaborations with luxury brands were then just the next logical step.
But very quickly, the cool and rebellious products turned into a mass movement, and instead of rebelling against consumerism, SUPREME suddenly became a company that pushed consumption to new levels of madness.
Teenagers participate in raffles, then stand in extremely long lines for hours just to briefly enter the Supreme store and be allowed to purchase a maximum of one item.
Often, it doesn’t even matter what they buy— as long as it has the Supreme logo. Because, if needed, everything can be resold at unbelievably high prices. Even a brick with the Supreme logo has been sold for $1,000.
Collaborations with luxury brands were then just the next logical step.
Supreme has not only become what was once rebelled against, but has driven consumerism to an unimaginable level of excess.
The young generation, which set out to find individuality and break free from the rule of money over their lives, has been bought out and now loses itself in shopping...
Once again, the mindset prevails: "Because I shop, I am cool," and what is purchased determines personal worth and identity.
Started with such good intentions and goals, many fail due to greed for money:
"For the love of money is the root of all evil; some who have pursued it have wandered away from the faith and pierced themselves with many painful sorrows." – 1 Timothy 6:10
We must not be ruled by money—instead, we must rule over money!
To endure this, we need stable values and direction. We need connection with God:
"You cannot serve both God and money." – Luke 6:13
The young generation, which set out to find individuality and break free from the rule of money over their lives, has been bought out and now loses itself in shopping...
Once again, the mindset prevails: "Because I shop, I am cool," and what is purchased determines personal worth and identity.
Started with such good intentions and goals, many fail due to greed for money:
"For the love of money is the root of all evil; some who have pursued it have wandered away from the faith and pierced themselves with many painful sorrows." – 1 Timothy 6:10
We must not be ruled by money—instead, we must rule over money!
To endure this, we need stable values and direction. We need connection with God:
"You cannot serve both God and money." – Luke 6:13
JESUS.PHOTO is the answer—to BAUHAUS, FUTURA, societal transformation, and more.
It stands for the rebuilding of society, where everyone is valuable and equal, regardless of nationality, race, status, or gender.
We are all ONE.
It stands for the rebuilding of society, where everyone is valuable and equal, regardless of nationality, race, status, or gender.
We are all ONE.
"You are all sons of God through faith in Christ Jesus. For all of you who were baptized into Christ have clothed yourselves with Christ. There is neither Jew nor Greek, neither slave nor free, neither male nor female; for you are all one in Christ Jesus." – Galatians 3:26-28
A unity that is only complete in God. A unity in which we ourselves are the Bauhaus— not just artists and craftsmen, but each individual is a living stone in our new spiritual home:
"Let yourselves be built up as living stones into a spiritual house." – 1 Peter 2:5
To build this future, we must not be ruled by material wealth and money— instead, we must rule over them and use them to shape our shared future based on true values.
MONEY IS A FORM OF ENERGY THAT WE MUST CONTROL AND UTILIZE TO CREATE GOOD!
A unity that is only complete in God. A unity in which we ourselves are the Bauhaus— not just artists and craftsmen, but each individual is a living stone in our new spiritual home:
"Let yourselves be built up as living stones into a spiritual house." – 1 Peter 2:5
To build this future, we must not be ruled by material wealth and money— instead, we must rule over them and use them to shape our shared future based on true values.
MONEY IS A FORM OF ENERGY THAT WE MUST CONTROL AND UTILIZE TO CREATE GOOD!
At a wonderful seminar, I met people who all want to grow— to earn money and use it for good.
Harnessing the energy of money to transform themselves and society.
A whole hall full of future builders— it was a powerful experience.
Harnessing the energy of money to transform themselves and society.
A whole hall full of future builders— it was a powerful experience.
Now, I am making JESUS.PHOTO available to the world.
In my artworks, I integrate authentic pieces of the Shroud of Turin or the Cross of Christ.
THE CONSTRUCTION SIGN SERIES
I print construction signs with JESUS.PHOTO and integrate an authentic relic of the Shroud of Turin or the Cross of Christ.
The construction sign symbolizes that we are builders of the transformation of society.
God Himself is the master builder, and He builds for us:
"The LORD declares to you that the LORD Himself will build a house for you." – 2 Samuel 7:11
The construction sign is also a guidepost and signpost.
"Do not let your hearts be troubled. Believe in God and believe in Me! In My Father's house, there are many rooms. If it were not so, would I have told you that I am going to prepare a place for you? And if I go and prepare a place for you, I will come again and take you to Myself, so that where I am, you may also be." – John 14:1-3
THE TRANSFORMATION OF THE WORLD HAS BEGUN.
LET US BUILD THE FUTURE TOGETHER!
LET US BUILD THE FUTURE TOGETHER!